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Roger’s and Hammerstein’s “The King and I”, set in the 1860s, follows Anna Leonowens on her new life in Siam as a school teacher to the King’s children. She serves as a mother figure and worldly advisor for the children and people of the kingdom who are naive to the King’s false teachings of the world.
Unproudly, I hardly know any classical musicals so I went into this relatively unfamiliar, knowing only what I had learned from rehearsal videos…Continue
In my opinion, there are three substantial “musts” for any good show- strong tech, strong energy, and a strong leading role. Unfortunately, Mama Mia lacked all three. From the moment Sophie Sheridan, played by Lizzie Markson, entered the stage and began to sing, I was immediately disappointed by the casting choice. I give Markson credit for maintaining Sophie’s youthful spunk and naiveness, her over-acting made Sophie unlikeable from the…Continue
Walking into the Orpheum Theatre in Minneapolis last night, there appeared to be a mutual lack of excitement coming from the students walking around before the start of The Bodyguard. I didn’t know much about the show at all, having never seen the movie, and I don’t listen to much Whitney Houston, so, unlike every other show this season, I really had no idea what to expect. When the initial gunshot went off, I was terrified and riveted and immediately pulled into the…Continue
Fun Home, running December 13 through the 18 at the Orpheum Theatre in Minneapolis, was as much sweet, upbeat, and inspirational as it was heavy, touching, and saddening. Alison Bechdel’s story is too important not to be interpreted correctly, and with few exceptions, director Sam Gold did an excellent job of bring Alison’s story to the stage and inspiring the audience.
Throughout the story, Alison Bechdel, excellently portrayed by Kate Shindle,…Continue